Burn Down The House
Anja Ripoll & Jeanne Tara, “Burn Down The House“, 2026, Exhibition view 
Jeanne Tara, “La force des choses (hands)“, 2024, Glazed ceramic, Dimensions variable 
Jeanne Tara, “La force des choses (hands)“, Detail 
Anja Ripoll, “Sursum Corda II“, 2025, Glazed stoneware, glass, metal, ø 46 cm 
Anja Ripoll, “Sursum Corda II“, Detail 
Anja Ripoll, “Exuvia IV“, 2026, Glazed stoneware, glass, platinum, approx. 20 × 50 cm 
Anja Ripoll, “Exuvia IV“, Detail 
Anja Ripoll, “Exuvia I & IV“, Exhibition view 
Anja Ripoll, “Exuvia I“, 2026, Glazed stoneware, glass, platinum, approx. 20 × 50 cm 
Anja Ripoll, “Exuvia I“, Detail 
Jeanne Tara, “The Slugs“, 2025, Painted wrought iron, textile, 75 × 30 × 110 cm 
Jeanne Tara, “The Slugs“, Detail 
Anja Ripoll, “Chimera“, 2022, Glazed black stoneware, fabrics, sand, 8 × 11 × 35.5 cm 
Anja Ripoll, “Tuknir Deathlock“, 2022, Stoneware, fabrics, glaze, platine, 35 × 33 cm 
Jeanne Tara, “La force des choses (claws)“, 2024, Glazed ceramic, Dimensions variable 
Jeanne Tara, “From cradle to grave“, 2025, Wood, openwork velvet, 81 × 38 × 187 cm 
Jeanne Tara, “From cradle to grave“, Detail 
Jeanne Tara, “Submergées, dévorées“, 2026, Wrought iron, devoured velvet, wood, 70 × 60 × 4 cm 
Jeanne Tara, “Submergées, dévorées“, Detail
Burn Down The House
08–11.10.2026
DivergenX presents Anja Ripoll & Jeanne Tara
Duo show, Swab Art Fair, Barcelona, ES, 2026
The exhibition title, Burn Down The House, plays on the idea of reversing social expectations and injunctions. It can be understood as a response to constraint, an invitation to challenge established norms and wipe the slate clean. It also evokes the kind of encouragement one might offer an artist before embarking on an ambitious project. Finally, it suggests the possibility of a paradigm shift in our relationship with consumption, globalisation and climate issues.
swab.barcelona/divergenx
FestaRita 2026
Nina Rieben, until the title becomes clear, 100 × 135 × 4 cm, Pencil on cotton, wood, metal, 2026, ©Nina Rieben 
Nina Rieben, until the title becomes clear, Detail, 2026, ©Nina Rieben 
Nina Rieben, until the title becomes clear, 100 × 135 × 4 cm, Pencil on cotton, wood, metal, 2026, ©Nina Rieben 
FestaRita 2026, Group show, Exhibition view, Rita, Turbigo, IT, 2026, ©Rita
FestaRita 2026
11–12.07.2026
DivergenX presents Nina Rieben
until the title becomes clear
until the next reason to be
until the message is sent
until the store is closed
until the next event
until the bus arrives
until time goes by
until the rent is paid
until we wake
until progress
until the break
until the end
until the start
until things make sense
until the tasks are done
until the next question
until we belong
until
100 × 135 × 4 cm, Pencil on cotton, wood, metal, 2026
Group show, Rita, Turbigo, IT, 2026
DivergenX
DivergenX, Exhibition View 
DivergenX, Exhibition View 
Nina Rieben, * yes, but how to react to voids that can’t be read as poetry?, 2019, Aluminium sheet, synthetic resin-based paint, 20 x 50 cm 
Nina Rieben, * yes, but how to react to voids that can’t be read as poetry?, 2019, Aluminium sheet, synthetic resin-based paint, 20 x 50 cm 
Yvan Alvarez, Untitled (hood), 2026, Fabric, resin, 46 x 20 x 20 cm 
Yvan Alvarez, Untitled (hood), 2026, Fabric, resin, 46 x 20 x 20 cm 
Anja Ripoll, Sylvan scrying, 2022, Glazed stoneware, glass, 22 x 36 cm 
Anja Ripoll, Sylvan scrying, 2022, Glazed stoneware, glass, 22 x 36 cm 
DivergenX, Exhibition View 
Juli Sando, ARMOR, 2025, Video, sound, 3’20’’ 
Juli Sando, ARMOR, 2025, Video, sound, 3’20’’ 
Jeanne Tara, Coulant, 2022, Beeswax, 5 pieces, Dimensions variable 
Jeanne Tara, Coulant, 2022, Beeswax, 5 pieces, Dimensions variable
DivergenX
05–06.06.2026
w. Yvan Alvarez, Nina Rieben, Anja Ripoll, Juli Sando, Jeanne Tara.
Boulevard Helvétique 9, Ressources Urbaines, Geneva, CH
Does It Ring A Bell?
Does It Ring A Bell?, Exhibition View 
Jeanne Tara, Les Passeuses, 2023, Video , 8’30’’ (loop) 
Jeanne Tara, Les Passeuses, 2023, Video , 8’30’’ (loop) 
Jeanne Tara, Les Passeuses, 2023, Video , 8’30’’ (loop) 
Yvan Alvarez, 37, 2024, Silver gelatin print, reclaimed wood, resin, 56 x 50 x 3 cm 
Yvan Alvarez, 37, 2024, Silver gelatin print, reclaimed wood, resin, 56 x 50 x 3 cm 
Nina Rieben, Mentale Nebenkosten, 2026, Pigment print on paper, used lamp , 26 x 26 x 50 cm 
Nina Rieben, Mentale Nebenkosten, 2026, Pigment print on paper, used lamp , 26 x 26 x 50 cm 
Does It Ring A Bell?, Exhibition View 
Reema Nubani, Sudoku, 2025 , Sudoku paper, cement, synthetic glass, approx. 15 x 7 x 3 cm 
Reema Nubani, Sudoku, 2025 , Sudoku paper, cement, synthetic glass, approx. 15 x 7 x 3 cm 
Reema Nubani, Sudoku, 2025 , Sudoku paper, cement, synthetic glass, approx. 15 x 7 x 3 cm 
Anja Ripoll, Codex An’ggrath, 2025 , Stoneware, enamel, volcanic rock , 15 x 20.5 cm 
Anja Ripoll, Codex An’ggrath, 2025 , Stoneware, enamel, volcanic rock , 15 x 20.5 cm 
Anja Ripoll, Codex An’ggrath, 2025 , Stoneware, enamel, volcanic rock , 15 x 20.5 cm 
Juli Sando, Of Our Love, 2025, Video, sound , 3’01’’ (loop) 
Juli Sando, Of Our Love, 2025, Video, sound , 3’01’’ (loop) 
Juli Sando, Of Our Love, 2025, Video, sound , 3’01’’ (loop)
Does It Ring A Bell?
26–28.05.2026
w. Yvan Alvarez, Reema Nubani,
Nina Rieben, Anja Ripoll, Juli Sando, Jeanne Tara.
Hangar Space, Master of Research (MRes), Royal College of Art, London, UK